Artist Research 2

Figure 1, Tampa Bay Hotel

Artist: Jorge Orta

Website: https://www.studio-orta.com/en/artworks/serie/32/Light 

Light art has always been something that has fascinated me. Maybe it's the sheer size which this art takes form, or maybe it is the poetic archetype of light and dark coming together for the sake of beauty. Who knows? But, I do know this artist is really cool (Plus he uses the coolest places to show his art, see figure 1).

Figure 2, El Zocalo

I can't say I totally understand the point Jorge Orta is trying to make. It is very abstract and his one fault is the protrusions of the building don't help the clarity of the scene. However, I did read his bio to find out it connects to his strong interest in politics, injustice, and revolution. I know those are strong motivators and make total sense when explaining why he projects light shows in the areas and buildings he does. They all have a common theme of cultural significance and in places which have experienced political injustice. But, still the shapes and colors which Orta employs doesn't convey such messages for me. I see a modern-meets-antique sculpture which updates the antique symbolism of the embodiment of a culture. The is, he is using modern techniques which alters the antique buildings that have represented these cultures throughout, at least, recent history. But, the shapes and designs he uses still call on the traditional themes of that culture's art, language, etc. It is a very stunning combination visually, but I feel it misses the mark on the injustice and revolutionary themes Orta intends.

Figure 4, Palaise de Tau

Figure 3, Palaise de Tau

Of course, there are exceptions. Of course the work with El Zocalo, Mexico City, Mexico (Figure 2) is very obvious with the injustice and call for revolution as guns are projected on the walls. Yet, then the Palaise de Tau, Reims Cathedral, France (Figures 3 and 4) portrayed a variety of images that I didn't understand to be in the same theme. But, at least I can still say in the end that I enjoy his work; particularly the colors. Orta is obviously unafraid to be bold with his statements and make them heard. I can't imagine being able to pass these sites without noticing them. I would love the chance to see one in person, and try to further understand the points he is trying to make with each. Even with the short descriptions for the work, perhaps the key is to better know the culture itself which he portrays. Regardless, the ability to plan something so well that it can be blown up onto the side of the building is just incredible.